Saturday, February 7, 2015

Invisible Spectrum - The March 2015 Theme for The Eyes of March

Invisible Spectrum - The Eyes of March 2015 
Do you need a creative outlet? Are you an artist at heart?  Enjoy being creative?  Submit artwork for this year's The Eyes of March for 2015!

This year's theme is: "invisible spectrum."   
We look forward to seeing how each artist interprets this theme for themselves.

We appreciate your efforts to submit your work by February 25, 2015.

To participate, simply email a .jpg of your piece(s) to with the following information:
  • Your Name as you would like it displayed on the website
  • The title of the piece/series
  • (optional) - The story behind or a description of the piece/series
  • (optional) - Artist Bio/Statement
  • (optional) - Link to your website/blog
Contact with any questions.

Monday, April 7, 2014

Give 'em a Hand ~ The Eyes of March 2014: in the eye of the beholder

It is time to give a round of applause to all the talented artists that helped create the magic for The Eyes of March this year.  These talented folks are the ones who have made this years "in the eye of the beholder" theme possible.  Thank you all.

Andrea Walker
Benjamin Emory Larson
Benjamin Edwards
Brittany Morton
Cathy Watson
Caitlin Morton
Casey Kindler
  • Eye (in two mediums)
Christina Niccum
D. L. Morton
Esther Watson
Karen Williams
Katie Tuma
Laura Wong
S. E. Mendez

Monday, March 31, 2014

adaptability ~ Esther Watson

"adaptability" - Esther Watson
36"x36" acrylic on canvas

The reactions to this painting have always been fascinating. Among those who enjoy the piece, the conversation follows a script:  
"Oh, that's so [insert adjective here]!  I see ________."  
The blank is usually filled with one of a handful of options, sometimes two or three.
Up to a few years ago, I was (naively) convinced that "good art" was planned out to the nth degree.  The artist had a grand theme, sketched the subject, planned the location of every brush stroke, and determined the ultimate end before the "real work" had even begun. Too rigid to gel with my strengths, this framework was always daunting.  And then this piece...happened. 
The only thing I was sure of were the colors- and even those were flexible.  The paints were applied directly to and mixed on the canvas, no palate was used. The brush was less than pristine.  All I had as a guide was the shape of the initial brush strokes in a sea of blank canvas.  In short, the process was primitive. It was terrifying.  And organic. And freeing. 
I (again naively) thought the work was complete once the paint dried, but that notion has been proven wrong time and again.  Every time another person says "I see _____," creates a frisson of possibility.  They may see something new, creating an entirely new layer of ideas tied to the image, invisible, and yet just as powerful as what can be seen.  Each conversation can change the perception of my own work and will inevitably crawl into conversations with others down the line, coloring theirs as well.

Sunday, March 30, 2014

Heye ~ Benjamin Emory Larson

"Heye" ~ Benjamin Emory Larson

I wrote this piece specifically for The Eyes of March, so from the beginning my plan was to build it around a vocalist saying the word "eye." Once I had the vocal sound I wanted, it sounded to me like an alien saying "hi," so that's where the title came from. 
I rarely get to write music like this for fun, so it quickly devolved into a parade of techniques that I never get to use in commercial film scores: huge distortion, bassoon parts, driving strings, melodies, fast moving harmonies. Weird aliens saying "hi" over and over. You know, the usual. 
In any case…heye, and thanks for listening.

Saturday, March 29, 2014

The Top 5 Posts from The Eyes of March 2013

So far this year, The Eyes of March has had the first ever textile art in "Yarn Eyed" by Christina Irene Niccum, a bit of Geek brought to us by Megan Welch's "Every Villian is the Hero of His own Story" and skylarhawk's ASCII art "Open Horizon", Andrea Hamblen returned with a new sculpture in "The Weight of Seeing", new words have been added to our vocabulary with Caitlin Morton's "Orenda", and the collaborative efforts of Edwards, Tuma and Walker rocked it with "Skirts of the Earth."

Today, however, we are going backwards to celebrate last year's collection: The Eyes of March 2013: Only Eyes for You.  I present to you, the most popular submissions from 2013, in no particular order:

"Roots" by Andrea Hamblen

"So Eye Heard" by Cathy Watson

"Portrait of a Fox" by Michael Chilcoat

"Dragon Eye" by Esther Watson

"I See You" by Elizabeth Fischer

Friday, March 28, 2014

Skirts of the Earth ~ Benjamin Edwards, Katie Tuma and Andrea Walker

"Skirts of the Earth" - Benjamin Edwards (Photography), Katie Tuma (Model, Hair & Makeup) and Andrea Walker (Dress Design)

We see evil; it rages dark and raw and angry. But within us exists a beauty deep and glorious and the Spirit of power to defeat the darkness. We have the opportunity to stand against evil, to grab hold the skirts of the earth that we might shake the evil from it. (Ref: Job 38:12-13)

Monday, March 24, 2014

Sunday, March 23, 2014

Untitled ~ S.E. Mendez

Untitled - S.E. Mendez

Editor's Note: S.E. Mendez is a 16 year old artist who has been awarded the honor of having one of her pieces displayed in Bend, Oregon's Red Chair Gallery for the Month of April, 2014. 

Thursday, March 20, 2014

Toward the Sun ~ Esther Watson

"Toward the Sun" - Esther Watson

Up, down, sideways?  It's all relative with abstract art!  This is one piece displayed in four different orientations - is there one that "just seems right" to you?